The Department of Arts

Publications of faculty members

  • 2022 Maayan Amir,  Extraterritoriality and the Image (London, I.B. Tauris). 
  • 2022 Daniel M. Unger eds., Titian’s ‘Allegory of Marriage’: New Approaches  (Amsterdam University Press, in print).
  • 2021 Sara Offenberg, Nabih Bashir, Ehud Krinis, and Shalom Sadik eds., Polemical and Exegetical Polarities in Medieval Jewish Cultures Studies in Honour of Daniel J. Lasker (Berlin: De Gruyter).
  • 2021 Nea Ehrlich, Animating Truth: Documentary and Visual culture in the 21st Century (Edinburgh: Edinburgh University Press).
  • 2019 Ingrid Baumgarten, Nirit Ben-Aryeh Debby, and Katrin Kogman Appel eds., Maps and Travel: Knowledge, Imagination and Visual Culture (Berlin: De Gruyter).
  • 2019 Sara Offenberg, Up in Arms: Images of Knights and the Divine Chariot in Esoteric Ashkenazi Manuscripts of the Middle Ages (Los Angeles: Cherub Press). 
  • 2019 Daniel M. Unger, Redefining Eclecticism in Early Modern Bolognese Painting: Ideology, Practice and Criticism (Amsterdam: Amsterdam University Press)
  • 2018 Nea Ehrlich and Jonathan Murray eds., Drawn from Life - The First Anthology about Animated Documentaries (Edinburgh: Edinburgh University Press). [Runner-Up for Best Edited Collection 2020 by the British Association of Film, Television and Screen Studies (BAFTSS) Awards]. 
  • 2017 Ruth Lubashevsky and Ronit Milano eds., Light in a Socio-Cultural Perspective (Newcastle upon Tyne: Cambridge Scholars Publishing).
  • 2016 Nirit Ben-Aryeh Debby, Crusade Propaganda in Word and Image in Early Modern Italy: Niccolò Guidalotto's Panorama of Constantinople (1662) (CRRS: Center for Renaissance and Reformation, Toronto). Published in Italian: Niccolò Guidalotto e la Panorama di Constantinopoli (Venice: Lineacqua, 2019).
  • 2016 Nirit Ben-Aryeh Debby, Sally Cornelison, and Peter Howard eds., Word, Deed & Image: Mendicant to the World (Turnhout: Brepols).
  • 2016 Maayan Amir and Ruti Sela, Extraterritorialities in Occupied Worlds (Santa Barbara CA: Punctum Books). 
  • 2015 Nirit Ben-Aryeh Debby, Predicatori, artisti e santi nella Toscana del Rinascimento, (Florence: Florence University Press EDIFIR). 
  • 2015 Ronit Milano, The Portrait Bust and French Cultural Politics in the Eighteenth Century (Leiden: Brill).
  • 2014 Nirit Ben-Aryeh Debby, The Cult of St. Clare of Assisi in Early Modern Italy (Farnham: Ashgate, paperback Edition, Routledge, 2016). Published in Italian: L'iconografia di Santa Chiara d'Assisi (Milano: Biblioteca Francescana, 2017).
  • 2013 Nea Ehrlich, Lesley Marks, and Nira Yuval-Davis eds., The Work of Avishai Ehrlich: Political Sociologist, Activist and Public Intellectual (Newcastle: Cambridge Scholars Press).
  • 2013 Sara Offenberg, Illuminated Piety: Pietistic Texts and Images in the North French Hebrew Miscellany (Los Angeles: Cherub Press).
  • 2013 Ronit Milano and William Barcham eds., Happiness or Its Absence in Art (Newcastle upon Tyne: Cambridge Scholars Publishing).
  • 2010 Daniel M. Unger, Guercino's Paintings and His Patrons' Politics in Early Modern Italy (Farnham: Ashgate).
  • 2008 Maayan Amir ed., Documentally: Collection of Essays on Israeli Documentary Cinema (Tel Aviv: Am-Oved), (in Hebrew). 
  • 2007 Nirit Ben-Aryeh Debby, The Renaissance Pulpit: Art and Preaching in Italy 1400-1550 (Turnhout: Brepols). Published in Italian: Il Pulpito Toscano tra 300 e 500 (Roma: Istituto Poligrafico e Zecco dell Stato, Libreria dello Stato, 2009).
  • 2001 Nirit Ben-Aryeh Debby, Renaissance Florence in the Rhetoric of Two Popular Preachers: Giovanni Dominici, and Bernardino da Siena 1356-1419 (Turnhout: Brepols).