Nirit Ben-Aryeh Debby

Senior Academic

Crusade propaganda in word and image in early modern italy

Niccoló guidalotto's panorama of constantinople (1662)

The focus of this article is a vast seventeenth-century panorama of Constantinople, which is an exceptional drawing of the city, currently displayed at the Tel Aviv Museum of Art. The panorama is an elaborate piece of anti-Ottoman propaganda designed by the Franciscan friar Niccoló Guidalotto da Mondavio. Guidalotto also prepared a large manuscript, held in the Vatican Library, which details the panorama's meaning and the motivation behind its creation. It depicts the city as seen from across the Golden Horn in Galata, throwing new light on both the city and the relationships between the rival Venetian Republic and the Ottoman Empire. It also trumpets the unalloyed Christian zeal of Niccoló Guidalotto and serves as a fascinating example of visual Crusade propaganda against the Ottomans in the early modern period.

Publication language English
Pages 503-543
Volume 67
Issue number 2
Publication status Published - 01.01.2014

ASJC Scopus subject areas

History
Visual Arts and Performing Arts
Literature and Literary Theory
Access to Document
10.1086/677409
Other files and links
Link to publication in Scopus